{"id":23,"date":"2021-12-06T10:44:44","date_gmt":"2021-12-06T09:44:44","guid":{"rendered":"https:\/\/www.czapski.cz\/?page_id=23"},"modified":"2024-01-15T10:53:35","modified_gmt":"2024-01-15T09:53:35","slug":"malir","status":"publish","type":"page","link":"https:\/\/www.czapski.cz\/index.php\/jozef-czapski-prazsky-rodak-malir-a-spisovatel\/malir\/","title":{"rendered":"Mal\u00ed\u0159"},"content":{"rendered":"\n

\u201e\u0160ed\u00e9 eminence obdivu\u201c \u2013 J\u00f3zef Czapski jako mal\u00ed\u0159 v\u0161edn\u00edho dne<\/strong><\/h3>\n\n\n\n

J\u00f3zef Czapski byl vysok\u00fd t\u00e9m\u011b\u0159 dva metry. Kritici um\u011bn\u00ed si na jeho obrazech v\u0161imli specifick\u00e9 perspektivy. S\u00e1m mal\u00ed\u0159 v jednom rozhovoru vysv\u011btloval, \u017ee to souvis\u00ed s jeho v\u00fd\u0161kou.  \u201eV\u00fdsledn\u00e1 kompozice je d\u016fsledkem vid\u011bn\u00ed vysok\u00e9ho \u010dlov\u011bka,\u201c tvrdil. Ale skute\u010dn\u011b to je jedin\u00e1 p\u0159\u00ed\u010dina?<\/p>\n\n\n\n

\u201eCzapsk\u00e9ho v\u017edy fascinoval odraz, v\u017edy jej fascinovaly zrcadla, tabule skla, otev\u0159en\u00e1 okna, prosklen\u00e9 v\u00fdpln\u011b dve\u0159\u00ed, kalu\u017ee na asfaltu. Fascinovalo jej v\u0161echno, co lze vn\u00edmat jako motiv obrazu v obraze, a v jeho mal\u00ed\u0159sk\u00e9 tvorb\u011b se to projevuje t\u00e9m\u011b\u0159 obsesivn\u011b,\u201c napsal jeho p\u0159\u00edtel Konstanty Jele\u0144ski.<\/p>\n\n\n\n

\"\"
Studenti mal\u00ed\u0159stv\u00ed. Mj. J\u00f3zef Czapski (t\u0159et\u00ed zprava), Zygmunt Waliszewski, Wojciech Weiss, Kazimierz Miter, [Tesler] a in. Akademia Sztuk Pi\u0119knych (Ak. Kr\u00e1sn\u00fdch um\u011bn\u00ed). Krakov, 1922-1923. Fotopap\u00edr, 8,8×13,7 cm, nr. inv. MNK VIII-rkps.2414\/3<\/figcaption><\/figure>\n\n\n\n

Fascinovalo jej metro \u2013 jako\u017eto antikrajina. S velkou oblibou v\u0161ak tak\u00e9 maloval dalek\u00e9 pohledy do venkovsk\u00e9 krajiny, polnosti, z\u00e1pady slunce \u2013 to v\u0161e byly zpravidla plody pobyt\u016f na francouzsk\u00e9m venkov\u011b (mj. v okol\u00ed obce Sailly).<\/p>\n\n\n\n

Konstanty Jele\u0144ski spat\u0159oval v Czapsk\u00e9m p\u0159edch\u016fdce pop-artu:<\/p>\n\n\n\n

\u201eCzapski za\u010dal malovat \u010dty\u0159icet let p\u0159ed televiz\u00ed, ale pat\u0159\u00ed k prvn\u00edm mal\u00ed\u0159\u016fm, kte\u0159\u00ed dok\u00e1zali vid\u011bt potenci\u00e1ln\u00ed bohatstv\u00ed, r\u016fznorodost a v\u00fdznamovou pestrost v podob\u00e1ch m\u011bstsk\u00e9 industri\u00e1ln\u00ed civilizace, kter\u00e1 se pozd\u011bji stala pr\u00e1v\u011b dom\u00e9nou pop-artu. Jedn\u00e1 se tu samoz\u0159ejm\u011b o n\u011bco jin\u00e9ho ne\u017e starou \u017eidli \u010di van Goghovy boty, jeliko\u017e \u201eo\u0161klivost\u201c tohoto typu m\u00e1 u\u017e sto let p\u0159\u00edstup do sf\u00e9ry \u201eKr\u00e1sy\u201c. Nejde mi zde ani o neony, jejich\u017e odlesk v mokr\u00e9m asfaltu dovede uchv\u00e1tit i toho nejvyb\u00edrav\u011bj\u0161\u00edho a nejtradi\u010dn\u011bj\u0161\u00edho est\u00e9ta. Czapsk\u00e9ho z\u00e1jem o plak\u00e1ty biograf\u016f, kanaliza\u010dn\u00ed roury, interi\u00e9r tramvaje \u010di pa\u0159\u00ed\u017esk\u00e9 metro nav\u00edc nem\u00e1 nic spole\u010dn\u00e9ho s nouz\u00ed, kter\u00e1 se vedrala do tvorby Groszovy nebo Dixovy coby protest proti soci\u00e1ln\u00edm pom\u011br\u016fm. U Czapsk\u00e9ho je vztah ke kaleidoskopu industri\u00e1ln\u00ed civilizace zalo\u017een \u2013 podobn\u011b jako u mlad\u00fdch z\u00e1stupc\u016f pop-artu \u2013 na \u010dir\u00e9 fascinaci a nez\u0159\u00eddka se poj\u00ed i s humorem.<\/p>\n\n\n\n

Ve vztahu k nov\u00e9 figuraci a k pop-artu je Czapsk\u00e9ho mal\u00ed\u0159sk\u00e1 tvorba pr\u016fkopnick\u00e1. P\u0159ed \u010dty\u0159ic\u00edti lety jeho obrazy nahlod\u00e1valy div\u00e1ka sv\u00fdmi z\u00e1\u0159iv\u00fdmi barvami, brutalitou t\u00e9mat, jeho formy jako by vypl\u00fdvaly z v\u00e1\u0161niv\u00e9 por\u00e1\u017eky [\u2026]<\/p>\n\n\n\n

Stavba ran\u00fdch Czapsk\u00e9ho obraz\u016f p\u0159edj\u00edm\u00e1 dne\u0161n\u00ed reklamn\u00ed plak\u00e1t, sn\u00edmky na ob\u00e1lk\u00e1ch pestrobarevn\u00fdch magaz\u00edn\u016f. Czapski intuitivn\u011b vyc\u00edtil mo\u017enosti, kter\u00e9 objektiv fotoapar\u00e1tu zpopularizoval a\u017e mnohem pozd\u011bji, odv\u00e1\u017enou modern\u00ed mise-en-page<\/em> [grafick\u00e9 rozvr\u017een\u00ed; pozn\u00e1mka p\u0159ekladatele], modern\u00ed konstruov\u00e1n\u00ed, kdy se preciznost filmov\u00e9ho z\u00e1b\u011bru spojuje s abstrakc\u00ed pozorovac\u00edho \u00fahlu. V Czapsk\u00e9ho star\u0161\u00edch obrazech se setk\u00e1v\u00e1me s prvky architektury nebo v\u00fdzdoby, vyp\u016fj\u010den\u00fdmi ze secese, art nouveau, respektive z modern style.\u201c<\/p>\n\n\n\n

\u201e\u0160ed\u00e9 eminence obdivu,\u201c to jsou u n\u011bj dvorky, lid\u00e9 v restaurac\u00edch a v barech, v metru, na ulici, zachycen\u00ed v oknech, b\u011bhem divadeln\u00edch a opern\u00edch p\u0159edstaven\u00ed \u010di na pl\u00e1\u017e\u00edch \u2013 zkr\u00e1tka ka\u017edodennost. A vedle toho z\u00e1ti\u0161\u00ed, jejich\u017e hlavn\u00edmi hrdiny jsou p\u0159edm\u011bty b\u011b\u017en\u00e9, v\u0161ednodenn\u00ed pot\u0159eby, oby\u010dejn\u00e9 a prost\u00e9, jako t\u0159eba misky, hadry. A pak ty krajiny z venkova a mo\u0159sk\u00e9ho pob\u0159e\u017e\u00ed, ale tak\u00e9 portr\u00e9ty a autoportr\u00e9ty. \u201eNehledal jsem \u017e\u00e1dn\u00fd efekt nav\u00edc. Fascinoval m\u011b detail. Miloval jsem star\u00e9 tv\u00e1\u0159e,\u201c tvrdil Czapski.<\/p>\n\n\n\n

Takov\u00fd je sv\u011bt na obrazech a kresb\u00e1ch J\u00f3zefa Czapsk\u00e9ho.<\/p>\n\n\n\n

Texty El\u017cbieta Skoczek <\/sup><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201e\u0160ed\u00e9 eminence obdivu\u201c \u2013 J\u00f3zef Czapski jako mal\u00ed\u0159 v\u0161edn\u00edho dne J\u00f3zef Czapski byl vysok\u00fd t\u00e9m\u011b\u0159 dva metry. Kritici um\u011bn\u00ed si na jeho obrazech v\u0161imli specifick\u00e9 perspektivy. S\u00e1m mal\u00ed\u0159 v jednom rozhovoru vysv\u011btloval, \u017ee to souvis\u00ed s jeho v\u00fd\u0161kou.  \u201eV\u00fdsledn\u00e1 kompozice je d\u016fsledkem vid\u011bn\u00ed vysok\u00e9ho \u010dlov\u011bka,\u201c tvrdil. Ale skute\u010dn\u011b to je jedin\u00e1 p\u0159\u00ed\u010dina? \u201eCzapsk\u00e9ho v\u017edy fascinoval odraz, v\u017edy… Pokra\u010dovat ve\u00a0\u010dten\u00ed Mal\u00ed\u0159<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":28,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":6,"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":322,"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/pages\/23\/revisions\/322"}],"up":[{"embeddable":true,"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/pages\/28"}],"wp:attachment":[{"href":"https:\/\/www.czapski.cz\/index.php\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}